Monday, September 1, 2025

Adeena Karasick, ZERO’S EROS

 

Flux Me Fast and Slow
image by Adeena Karasick 


Though traditionally 0  (zero) is understood as a number representing an empty quantity, zilch, zip, nothing or absence; adding, subtracting, dividing or multiplying any number by 0 results in 0 -- for Abraham  ibn Ezra,  zero serves as a place holder, which he calls a wheel, a galgal to save the position in cases where that position has no value. Zero then should be acknowledged not as nothing but  a place holder, between the no longer and the not yet; the not yet and the always already  metonymically signifying and silently screaming for an impossible future that precedes  all  numbers  in   lacunaic liminality,  extolling the omnipresence of a past re-patterned in a volatized hyperreality, inexorably circumbscribed within the paradox of re-memoration. 

 

ZERO’S EROS

one should place a figure in the shape of the wheel O
...the symbol of a wheel O like chaff in the wind
and is there only to save space[i]

 

in the plenitudinal void

 

 

In the nothing that is affirmed in the darkness

of aching indices, amnesties, mysteries

 

gilgul galgal logos’ golos, gulleys galleys grids grammars

of ungraspable gaps

spurred in the surplus of ---

0

nothing’s nought, naught, nil, ought’s

[sic] cycles seychel circles

of weeping seepage 


Hold me like a place, place holder / as i stand in for

supplement, like the letters for the numbers

the image for the present, futures, icons, epochs 

 

Just hold me like a place

plaise / holder of substitutions, landmarks convulsing

 

in the futural unfolding

 

of nebulous ebbed / aberrated

erasures’ / abyssal billow valleys nihil, null

thrownness




in the anguish of unveiling thrashing in the dirty reflection

sucked back into / as night wedded to the light

 

place holding

in the dialectical calculus of radical fantasy fragmented

through the [un]wedded suspension, pretention

transgression apprehension

 

in the broken middle of disremption

0

And through zeros eros morose kairos’ borrows burrows harrows

sorrows accords succor’s coursing source

s’cœurses of thirsting aporias


hold me like a mishkan marooned

like the numb/erless number

in the monadic nomadics

of impossible reminiscence

 

‘n come opiate come opulent through

the aching onus undulant annulus

through the consanguineous scents / laments

of pierced palettes postulates

 

sefirotic zerotics

all catastrophically apostrophic 




between the light of darkness and the darkness

of [ ] bridges, burgeons, burdens

crests, cusps, gates, serrates

 

shadows, spirals, triggers, traces

thresholds // in the madness 

of mirroring withdrawal

 

and hold me

in the ghostly aghast


of efes, sifra sefer sofer sapir sippur sifr cifra ciphers[ii]

 

0

festooned in the liminal

nomos  //

                  

                  lacunae’s inlaid laden agon

           of ubiquities ventriloquy

    

    imprisoned indwell

of disrepair. 



[i]Abraham  ibn  Ezra,  Seferha  Mispar,  recited  from  “The  Contribution  of  the  Scholar and Biblical Commentator, Abraham ibn Ezra in the Transfer of  Advances in Mathematics  from Islamic Spain to Christian  Europe,” Eran  Raviv,   Open Journal of Social Sciences Vol. 11, No. 8., Aug. 2023.

[ii]. According  to  Kabbalistic hermeneutics, the root SFR, (shin, pei reish), etymologically  stands in for the “books” that G-d created the world with sofer (scribe), sefer (book), sipur (story); all embedded in sefirah (emanation of divine light); which derives from the biblical, sapir(sapphire)  whose    brilliance  is   associated  with  the   heavenly  throne  envisioned   by the prophets; and mispar (number) which stands in for the all the letters, which created the world. Uncannily, in Latin and Spanish, “Cifra,” means zero; and in Arabic, “sifr”.

Adeena Karasick, ZERO’S EROS

  Flux Me Fast and Slow image by Adeena Karasick  Though traditionally 0  (zero) is understood as a number representing an empty quantity, z...