Thursday, March 19, 2026

David Braden, Asemic Fragments

 


David Braden, Asemic Fragments
 
1. [Transcription No. 1] 4.02
Click on Link to Listen
 
2. [First Trace] 1.11
Click on Link to Listen
 
3. [Transcription No. 2] 2.40
Click on Link to Listen
 
4. [Inscription No. 1]
Click on Link to Listen 0.43
 
5. [Transcription No. 3]
Click on Link to Listen 3.30
 
6. [Second Trace]   
Click on Link to Listen 0.25
 

The Complete Set of Asemic Fragments  
Click on Link to Listen

 
Asemic Fragments is an excavation of the space between the phonological artifacts of language, prosody, and meaning to unearth a new multivalent ur-grammar, fully open to subjective interpretation.  
 
The massive texts of Moby Dick and Finnegans Wake were first deconstructed into thousands of sub-word tokens using the Sentencepiece algorithm, effectively erasing their semantic identity while preserving their rhythmic DNA. 
 
These fragments were then "read" back into existence through a series of distinct text-to-speech engines—eSpeak-ng, Coqui— then processed through Abelton Live via Max4 Live.


What remains is a poetic machine "un-writing," where the original texts have been replaced by a consistent, shifting grammar that evoke suggested meanings from a prehistoric digital past into the listener's present.


Released February 22, 2026
Composition and Mastering: David Braden
Source Material: Moby Dick (Herman Melville) & Finnegans Wake (James Joyce)
Deconstruction: Sentencepiece sub-word tokenization
Vocal Synthesis Engines: eSpeak-ng (Transcriptions Nos. 1–14),
Coqui Neural Synthesis (Inscriptions (Nos. 1–5)
and Coqui Neural Syntheis failures (Traces 1 - 7)
Digital Art & Artifact Generation: Gemini / Nano Banana

David Braden, Asemic Fragments

  David Braden, Asemic Fragments   1. [Transcription No. 1] 4.02 Click on Link to Listen   2. [First Trace] 1.11 Click on Link to Listen...