Siphonic 
Irene Koronas
(40 x 46) acrylic & mixed media painting
Siphonic,Volume VI, The Grammaton Series 
manuscript cover
excerpt from MAR
Siphonic 
Volume VI, The Grammaton Series
Irene Koronas
the rawhide squiggle instead a sweet 
 friction clarity includes our cast 
 in a large mold with choppy transitions
  
those many possibilities metal his
 
descendants open the sluice from cube 
 and phrase alert he said he wants to 
speak about ten feet high in a chassis
  
and suggests what scale means
  
a dead truck turns into bone 
 a penis into steel tabernacle 
 a krasner truncate she assumps
 
scant pigment although she may
  
be an appendage on a skein 
 she does not make a pattern 
 overlay on edgic storm 
 he has me as a methodist 
and icons my breath 
 the evolpalary display 
 among alga rit a precondition
 
sensuous lost his figtions
  
are ideogramatic and locus 
 his desire to string elequence 
 then in winter perhaps we will dilute
  
quality at the lower prototype
 
the blue stocking women wear high boots 
 to criticize and to filter his covets 
 the head cowslip signature a propone
  
society sift and horn triumph in sublime
 
hedonism he holds heldentod heroes full 
 of chaotic anal aggression the aesthetic 
dusty tongue they pitch back circa 100
  
the judeha line and the bitters in whiskey 
a new biology holds the fist open interpose 
 with boschian monsters who drench
 
converts and obsessionists hard on ord
  
for cock and comb remains visible even 
in volume 9 his trope vulval slit 
 and phalli stamina or rather than good
 
we green landscape sweat before we wash
  
hesitant to slice with a coarse knife we surface 
dive into patches on the ranting canon 
 the fire seclusion is our bric a brac
 
alleyaze we would never approach never
  
too strong to let resort eccentrics 
shelve our botticelli so we can console 
 our locket in a grotto exchange for habit
 
displays we des vent an ink memento
  
we mummify the wave frosting range 
donut hole we ate her emblem the bubble 
 pipe effigies his gothic ballet presents
  
equal to a duchamp libido there is nothing
  
to flush and fiddle for serum scotoma 
amour fou as innocence is to heaven an open 
 cripple hype their unfussy fascia 
  
reverberance influences experts early
  
on sunday morning 1930 perms curl her 
 gull on a sandspit sail but none of them 
 had the same gaff rig etiquette the front
 
room sentinel nails a bench the voyeur
  
nostal act in a goo de quattrocento 
annunciation a kitsch minister covers 
our free from want by plain water hose
 
a buffalo table and down the chimney 
 he giffs on february 25 seneca baths 
 he ran to gulp his colophon periods 
no contact between mind and body 
for some treat it as an appendage 
as he dithers the door the dead on an orphic 
search his muff threnodies straightness 
 with an add appeal in polyester suit
  
warholes are an accessible force 
 he when the lost obliges gossip
  
he sips off punk cake and a wig groupie 
 refuses judd trivia about actors who wear nit nits
  
the best accident took place fifteen minutes 
 ago and the lens development ends diligent
 
frigid as an apercu a panegyric and intiregist 
 brings forward the borborygm radicals
  
goya edgemonic seventies the midas touch 
 obstruction in a can in a grotto factory
  
an idea gone arkey a retrograde blink 
 i know pigeons in puddle drunk costumes
  
amaretto politicians dress as dementia 
 and germans woof woof the hell out of boredom
  
what am i saying am i imperial guilt would it be 
the shiver about an inch thick on hermaphrodite
  
pity or a clambake match between 
 rabbinic gestures refract a prison dazzle
 
or an exile on city poster with a best 
seller rake the long ranger embargo
  
a pugnacious bulldog taking a shite 
 on the corner along a corridor we cramp
  
his yiddish recalls the humidity 
a question mark about a ballgown 
on how to sharpen an alibi it is time to 
 become a stereotype and forgive any 
 references that may offend the sacrifice
  
a precarious placaze the elephant leg 
 the cowboy teeter on high heel boots and he
 
stilts among little doggies the amalgam soldiers 
 and a gothic embrakiss the mongers 
who attach themselves to course exploits
  
a yearly sapho committee with vampiric 
outlooks toward gogol ideals i read and drouth
  
the lake swallow who blows on crag 
 roses for their heloise in the polarity floss 
 our cousins rowena and minna morella
  
halflength lucile and zenobia again priscilla 
 toulla praxoulla echo one name
  
persephone the chock aspect we try we try 
to temper the other marble faun we have 
pedestal despise he exact compost 
meet for the devout rosicrucians who sleep 
whose smooth sins smother aesthetics
  
but a few suggestions can web into all 
those ebon vines a linguistic master reason 
 for posse bill to overcome the molasses
  
the mice clones equivalent in junk food 
 adders the nosy drawn on a triple
  
conundrum as zeuxis and his grape bunches 
 eliminate by just having eight hushes 
 can transpose fifteen years an era bad
  
in discussion urgencies that are saturatee 
in urine a runnagate apprentice in 1562 
ditchside rueleave and saxifrage garnish
 
brave floures the cod 
 long snippet cousins cling 
hook a cauldron
  
jaundice the bee
  
practice isolates his arms or legs 
 guyed by turkish artho in armenian 
 footnotes bear one eliot
  
an irritable anti everthing
  
dissociate the decay graft 
 his plate burns phantasmagoric 
 brisghel mad because his dulle griet
  
hell mouths the guardhouse gate
  
at auschiel swarms damn 
 his crowded bridge 
 these allegorical people from
  
social well missions one class
  
subject presents contempt 
contempt evolves the curmudgeons 
 hero about poe pop comic
 
audience their dumb lackist
  
process meat slab between multigrain 
the pope a pink amniotic fluid 
 lost this aura by an entire stark neutral
  
three fish still life a dyspeptic express
  
get your balls behind greek temples
  
entablature our vicarious point 
 made over and over a paragon sense 
 engages style on bicycle seat they and them
 
sit across from us we with power cliches
  
remind me to walk the fake leather bound 
 repetitions some people video art 
rub cockroaches to pulp 
on their right or left nipple 
 his backward course
  
no monopoly can be clumsy
 
even antic fathers mullmedia dub
 
the urge to random out a nerveless 
 tortoise parturition 
 but it is against an overcoat
  
unlike the tag revelation 
 gargoyle buffooneries pullover 
 gab their self-importance
  
the saffron leap
  
calibration with sun 
 dahlia internodes 
all our chronicles have piebald
  
filament and quang pagoda 
made from charring pinion 
 again a red upborne lagoon
  
ardor is half a century
  
before we shunt the redact scars
  
yes you are a survivor 
accretion I think about how 
 he stagger my thighs
  
how people herd 
 drown skin tone 
their usual squabble
  
sick with flood tide