Thursday, September 2, 2021

Irene Koronas, excerpt from MAR, Siphonic, Volume VI, The Grammaton Series

Siphonic 
Irene Koronas
(40 x 46) acrylic & mixed media painting
Siphonic,Volume VI, The Grammaton Series 
manuscript cover

excerpt from MAR
Siphonic 
Volume VI, The Grammaton Series
Irene Koronas


the rawhide squiggle instead a sweet
friction clarity includes our cast
in a large mold with choppy transitions
 
those many possibilities metal his
 
descendants open the sluice from cube
and phrase alert he said he wants to
speak about ten feet high in a chassis
 
and suggests what scale means
 
a dead truck turns into bone
a penis into steel tabernacle
a krasner truncate she assumps
 
scant pigment although she may
 
be an appendage on a skein
she does not make a pattern
overlay on edgic storm
he has me as a methodist 

and icons my breath
the evolpalary display
among alga rit a precondition
 
sensuous lost his figtions
 
are ideogramatic and locus
his desire to string elequence
then in winter perhaps we will dilute
 
quality at the lower prototype
 
the blue stocking women wear high boots
to criticize and to filter his covets
the head cowslip signature a propone
 
society sift and horn triumph in sublime
 
hedonism he holds heldentod heroes full
of chaotic anal aggression the aesthetic
dusty tongue they pitch back circa 100
 
the judeha line and the bitters in whiskey
a new biology holds the fist open interpose
with boschian monsters who drench
 
converts and obsessionists hard on ord
 
for cock and comb remains visible even
in volume 9 his trope vulval slit
and phalli stamina or rather than good
 
we green landscape sweat before we wash
 
hesitant to slice with a coarse knife we ​​surface
dive into patches on the ranting canon
the fire seclusion is our bric a brac
 
alleyaze we would never approach never
 
too strong to let resort eccentrics
shelve our botticelli so we can console
our locket in a grotto exchange for habit
 
displays we des vent an ink memento
 
we mummify the wave frosting range
donut hole we ate her emblem the bubble
pipe effigies his gothic ballet presents
 
equal to a duchamp libido there is nothing
 
to flush and fiddle for serum scotoma
amour fou as innocence is to heaven an open
cripple hype their unfussy fascia 
 
reverberance influences experts early
 
on sunday morning 1930 perms curl her
gull on a sandspit sail but none of them
had the same gaff rig etiquette the front
 
room sentinel nails a bench the voyeur
 
nostal act in a goo de quattrocento
annunciation a kitsch minister covers
our free from want by plain water hose
 
a buffalo table and down the chimney
he giffs on february 25 seneca baths
he ran to gulp his colophon periods 

no contact between mind and body 

for some treat it as an appendage 

as he dithers the door the dead on an orphic 

search his muff threnodies straightness
with an add appeal in polyester suit
 
warholes are an accessible force
he when the lost obliges gossip
 
he sips off punk cake and a wig groupie
refuses judd trivia about actors who wear nit nits
 
the best accident took place fifteen minutes
ago and the lens development ends diligent
 
frigid as an apercu a panegyric and intiregist
brings forward the borborygm radicals
 
goya edgemonic seventies the midas touch
obstruction in a can in a grotto factory
 
an idea gone arkey a retrograde blink
i know pigeons in puddle drunk costumes
 
amaretto politicians dress as dementia
and germans woof woof the hell out of boredom
 
what am i saying am i imperial guilt would it be
the shiver about an inch thick on hermaphrodite
 
pity or a clambake match between
rabbinic gestures refract a prison dazzle
 
or an exile on city poster with a best
seller rake the long ranger embargo
 
a pugnacious bulldog taking a shite
on the corner along a corridor we cramp
 
his yiddish recalls the humidity 

a question mark about a ballgown 

on how to sharpen an alibi it is time to
become a stereotype and forgive any
references that may offend the sacrifice
 
a precarious placaze the elephant leg
the cowboy teeter on high heel boots and he
 
stilts among little doggies the amalgam soldiers
and a gothic embrakiss the mongers
who attach themselves to course exploits
 
a yearly sapho committee with vampiric
outlooks toward gogol ideals i read and drouth
 
the lake swallow who blows on crag
roses for their heloise in the polarity floss
our cousins ​​rowena and minna morella
 
halflength lucile and zenobia again priscilla
toulla praxoulla echo one name
 
persephone the chock aspect we try we tr

to temper the other marble faun we have 

pedestal despise he exact compost 

meet for the devout rosicrucians who sleep
whose smooth sins smother aesthetics
 
but a few suggestions can web into all
those ebon vines a linguistic master reason
for posse bill to overcome the molasses
 
the mice clones equivalent in junk food
adders the nosy drawn on a triple
 
conundrum as zeuxis and his grape bunches
eliminate by just having eight hushes
can transpose fifteen years an era bad
 
in discussion urgencies that are saturatee
in urine a runnagate apprentice in 1562
ditchside rueleave and saxifrage garnish
 
brave floures the cod
long snippet cousins ​​cling
hook a cauldron
 
jaundice the bee
 
practice isolates his arms or legs
guyed by turkish artho in armenian
footnotes bear one eliot
 
an irritable anti everthing
 
dissociate the decay graft
his plate burns phantasmagoric
brisghel mad because his dulle griet
 
hell mouths the guardhouse gate
 
at auschiel swarms damn
his crowded bridge
these allegorical people from
 
social well missions one class
 
subject presents contempt
contempt evolves the curmudgeons
hero about poe pop comic
 
audience their dumb lackist
 
process meat slab between multigrain
the pope a pink amniotic fluid
lost this aura by an entire stark neutral
 
three fish still life a dyspeptic express
 
get your balls behind greek temples
 
entablature our vicarious point
made over and over a paragon sense
engages style on bicycle seat they and them
 
sit across from us we with power cliches
 
remind me to walk the fake leather bound
repetitions some people video art
rub cockroaches to pulp
on their right or left nipple
his backward course
 
no monopoly can be clumsy
 
even antic fathers mullmedia dub
 
the urge to random out a nerveless
tortoise parturition
but it is against an overcoat
 
unlike the tag revelation
gargoyle buffooneries pullover
gab their self-importance
 
the saffron leap
 
calibration with sun
dahlia internodes
all our chronicles have piebald
 
filament and quang pagoda
made from charring pinion
again a red upborne lagoon
 
ardor is half a century
 
before we shunt the redact scars
 
yes you are a survivor
accretion I think about how
he stagger my thighs
 
how people herd
drown skin tone
their usual squabble
 
sick with flood tide
 

Daniel Y. Harris, excerpts from The Resurrection of Maximillian Pissante Volume V, The Posthuman Series

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